THREADS

Threads was recorded in a dormitory room in Japan, while I was studying abroad at the University of Tokyo. I had only a Casio keyboard, a portable 8-track sequencer (no editing functions!), a dubbing-deck boom box and a Radio Shack microphone at my disposal. Good fortune brought me a beat-up old folk guitar which I put to use on two tracks in the hands of my friend Oleg, a Russian fellow who was also studying in Tokyo and has since returned to Moscow. I also managed to secure some backing vocals from my friend Lisa who happened to be in Tokyo that year as well.

The album draws from the experiences I had while I was in Japan, and definitely has some Japanese influence in the music. It's a loosely focused concept album that takes as its theme the ties that hold people together even across the physical spans of space and time. Thus the title "Threads." Musically it was the first large-scale project that I attempted, and I must say that those who were expecting any degree of virtuosity were disappointed. Still, I think that the feelings and motivations behind the music are well illuminated in spite of the fact that the arrangements are limited and most of the sounds are synthesized. In that sense I consider the album a success. Of course I'm not exactly blessed with an objective viewpoint!

Track Listing:
Hajime
Tokyo Moon
Lunatic Fringe
Sunrise in Matsushima
Gondo Street
Rainbows
The Farthest Smile
Bridges
Ties
Loose Ends

Lyric Page
Album credits:
Derek Moo: Keyboard, Piano, Ocarina, Drum Programming, Lead and Backing vocals
Oleg Ivanov: Acoustic guitar
Lisa Strand: Backing vocals

All music and lyrics written by Derek Moo except "Loose Ends" music by Derek Moo and Mike Gabriel. Japanese translation assistance by Kensuke Haba.

Recorded Winter 1992-1993 at Poor Man Japan, Wakeijuku Studios, Tokyo.

Produced and arranged by Derek Moo.

Engineered by Casio, Korg, and the Distortion Squad: Axia, Panasonic, Sony, and.... Radio Shack!

Thanks to Kensuke Haba (the Haiku Master), Thiraphong Supakit and David Chun; to Julie for the ocarina; to Denise for the guitar; to Oleg for commitment; to Lisa for her voice, advice and support; and to the guys in the lab for putting up with my "himitsu no mono" for so long!

Thanks especially to John Kim for practically giving me his stereo, and to Eric Warner for really giving me his microphone.

Thanks to Mike Gabriel for "Two Poor Men and a Sparrow." Long live Michael G. and the Wombats!

Copyright © 1993 Poor Man Music.

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